![]() Thanks to courageous work by firefighters in fending off the Holiday Farm Fire in September and October, it lives on. This past year, between the ongoing pandemic and the wildfires that raged across Oregon (coming within half a kilometer of the flume), the survival of the flume and its surrounding facilities was in question. Our inaugural experimental plan, however, was perhaps foolishly ambitious and led to harrowing near misses with enormous concrete blocks and frequent battles with a crotchety backhoe.īut our persistence paid off and rewarded us with a wealth of data to help in model validation and in improving our knowledge of debris flow and water interactions and dam breach processes. After taking over a couple of years ago, we set out to continue the facility’s legacy of revealing new details about landslide processes. Geological Survey (USGS) debris flow flume, we have just such an experimental facility with which to play. Rarely do scientists studying landslide hazards have opportunities to do experiments. Our inaugural experimental plan was perhaps foolishly ambitious and led to harrowing near misses with enormous concrete blocks and frequent battles with a crotchety backhoe. These crucial data are used in validating landslide models and in understanding the underlying physics of landslide phenomena, and they can be collected only in controlled settings. ![]() Those who do this work trudge into the muck not only because the unpredictable natures of natural slope failures and landslide runouts are scientifically interesting in their own right, but also because illuminating these phenomena can help in hazard mitigation efforts.įield monitoring of landslide sites plays a big role in helping us understand these hazards, and so do reliable data obtained from repeatable experiments. From this new personal phase, Flume’s latest techno-charged offering upscales the drops, fidgety distortion and replay value that has proved a constant in his playbook.Studying the physics of landslide initiation and the dynamics of debris flows is challenging, as these phenomena occur spontaneously, commonly in remote locations, and usually during inclement weather. This dynamic carries the reunion with Kučka on ‘Escape’ as well as the meditative Damon Albarn-featuring title track, which taps into the ecological origins of the record via its birdsong incidentals. MAY-A collaboration ‘Say Nothing’ champions the album’s radio-friendly chops, while the hypnagogic ‘Sirens’ sees Caroline Polachek’s trademark vocals join climaxing electronica – partnerships that capture the imagination and innovation at the heart of Flume’s output. Opener ‘Highest Building’ sticks to this two-tone chemistry in skewing synth stabs with Oklou’s elastic refrains, ‘Get U’ closely rivalling in its alien-like pull. Twinning synth trickery with chart appeal has been a mainstay of Harley Streten’s craft, and his third album continues to blur the line between off-kilter and accessible in its parallel-dimensioned pop. With the idyllic backdrop of his Northern Rivers base as an impetus, the Aussie electronic wunderkind eschews the glitched-out route of his earlier releases, instead rebooting the kind of instant earworms that powered predecessor ‘Skin’. ![]() ![]() Inspired by his relocation to rural New South Wales following a decade in LA, ‘Palaces’ represents a homecoming for Flume.
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